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William L. Lewis (born November 23, 1931, Tulsa, Oklahoma)〔Cummings (2003) p. 465〕 is an American operatic tenor and academic. ==Biography== William Lewis was educated at the University of Colorado, Texas Christian University and New York University. He began his career as a writer and an athlete before deciding to pursue a career in opera. He began his voice training under Karl Kritz and Arthur Faguy Coté in Fort Worth, followed by studies with Susan Seton and Hulda and Luigi Rossini in New York. He made his professional opera debut in 1953 with Fort Worth Opera as Rinuccio in Puccini's ''Gianni Schicchi''. Two years later he won the Metropolitan Opera's ''Audition of the Air'' competition (precursor to the National Council Auditions). Lewis made his debut at the Metropolitan Opera as Narraboth in ''Salome'' on March 1, 1958 and subsequently sang in 234 performances in his 35 years with the company. In 1975 he made his debut at San Francisco Opera as Steuermann and Erik in ''The Flying Dutchman'' and has sung in sixteen different productions with the company in subsequent seasons.〔(San Francisco Opera archives )〕 In 1981 he made his debut at the Salzburg Festival in the title role of Offenbach's ''The Tales of Hoffmann'', returning there for the following four years in such roles as Arbace in ''Idomeneo'' and the First Geharnischter in ''The Magic Flute''. In 1990 he made his debut at the Teatro Lirico in the world premiere of Azio Corghi's ''Blimunda''. Although he sang a wide operatic repertory ranging from Mozart to Wagner, Lewis often sang in 20th century works. At the Met he was Andres and Drum Major in Wozzeck (1959, 1974) Aegisth in ''Elektra'' (1970), Steva in ''Jenůfa'' (1974), Alwa in ''Lulu'' (1977), Oedipus in ''Oedipus Rex'' (1983), and Red Whiskers in ''Billy Budd'' (1989). At San Francisco Opera he was Steva in ''Jenůfa'', Albert Gregor in ''The Makropulos Affair'', Boris in ''Katya Kabanova'', Frank Sargeant in ''Angle of Repose'', and Sergei in ''Lady Macbeth of Mtsensk''. He also sang Pollux in Richard Stauss' rarely performed 1940 opera ''Die Liebe der Danae'' in a concert performance at Lincoln Center in January 2000.〔Tommasini, Anthony, ("Attention Is Paid at Last to Danae" ), ''New York Times'', January 18, 2000〕 Amongst the roles he has created are Bill in Samuel Barber's ''A Hand of Bridge'' (Spoleto, June 7, 1959),〔(''A Hand of Bridge'' ) usopera.com〕 Riccardo III in Flavio Testi's ''Riccardo III'' (La Scala, January 27, 1987),〔Rossi, Nick, ("Flavio Testi's 'Riccardo III' is an ambitious opera that misses the point" ), ''The Christian Science Monitor'', February 16, 1987.〕 and Frank Sargeant in Andrew Imbrie's ''Angle of Repose'' (San Francisco Opera, November 6, 1976).〔(''Angle of Repose'' ), San Francisco Opera Archives〕 William Lewis wrote the libretto for Earl Wild's Easter oratorio ''Revelations'' as well as singing the role of St. John in its world premiere, conducted by the composer. Broadcast on ABC on April 22, 1962, ''Revelations'' was the first oratorio commissioned by a television company.〔(Earl Wild's official web site )〕 Lewis holds the Frank C. Erwin, Jr. Centennial Professorship in Opera at the University of Texas, Austin where he is also the director of the Studio Ensemble of the Butler Opera Center. He also teaches at the Austrian-American Mozart Academy in Salzburg, which he founded in 1995,〔Faires, Robert, ("Deep in the Mozart of Texas ), ''Austin Chronicle'', August 9, 2002〕 and at the Franco-American Vocal Academy in Périgord, France. Lewis can be seen on DVD in the Metropolitan's 1984 production of Zandonai's ''Francesca da Rimini'', opposite Renata Scotto, Plácido Domingo, and Cornell MacNeil. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「William Lewis (tenor)」の詳細全文を読む スポンサード リンク
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